Exotik Erotik Exhibition By Gerard A. Goodrow 1996
Four Positions on Sexuality in the Art of the Nineties
There is a fine line between eroticism and pornography. What finally distinguishes the two is their unique perspective of sexuality has so many faces- from hetero- to homosexual to bi- and asexual, from sadoism to Maoism and everything in between- the perspectives on this are, of course, equally manifold. So where does eroticism end and pornography begin? Although at various times in various places in the world there might appear to be a general consensus, only the individual can finally decide- and this, of course, only for him-or herself. For some, eroticism is spiritual exercise whereas pornography addresses itself to the pleasure of the flesh (D.H. Lawrence’s erotic novel versus A.N. Roquelaure’s popular pornographic version of the “Sleeping Beauty” fairy tale, for example). For others, eroticism is just another aestheticizing euphemism for pornography, a mask behind which leers the lascivicious head of perversion.
This would explain why D. H. Lawrence’s books were immediately placed on the index and only put back into print many decades later, or why Robert Mapplethorpe’s homoerotic photographs have recently been under vehement attack by right wing conservatives in the United States. Sexuality, such critics would argue, is something you experience but never talk about and certainly never put into print- neither with words nor with images. But no matter how you look at it, both eroticism and pornography deal with highly personal physical expressions of desire and in some cases even love, although this need not necessarily be the case. And whether we index books and images or not, both eroticism and pornography will always be with us. They are both an integral part of our human culture and probably always will be. In the late 20th century sexuality has become politicized. Women have spoken up against the way they have been treated by men as objects of desire. And recently, although this had always been in the case to a greater or lesser degree, man also appeared in advertising and other phenomena of popular culture as the object of desire, a plaything of heterosexual women and homosexual men. Indeed, homosexuality has not only become widely accepted and even legal (something which is not as matter of fact as many would like to believe), it has also become an economic and political factor.
Advertising agencies and campaign specialists around the globe have discovered that the union of two men or two women with double incomes and cultural ambitions and no children to feed (and thus no heir to provide for) inherently brings along with it a financial power which can be exploited in any number of ways. Not too long ago homosexuals were sent to prison categorized as pervert; during the Third Reich they were even sent to concentration camps because they were seen as being hazardous to the moral health of the nation! Today, numerous homosexuals hold positions of power in politics, economics, culture, science and just about every other field of human activity. They are not quite completely accepted by society, but they have indeed come a long way.And this is precisely what this differentiation between pornography and eroticism is all about- it is all a matter of perspective, and in many instances this perspective is based on power politics, which, in turn, miss, based on economic factors.
Almost every kind of sexual activity and persuasion has been represented in one form or another in the visual arts- and this throughout the entire history of art.
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